Analisis Naratif Dalam Film Uang Panai Ditinjau Dari Perspektif Komunikasi Islam

Film is a communicative medium in conveying messages, because the message to be conveyed is visualized through visual scenes or film sound. The film Uang Panai is a regional film that raises the issue of the local wisdom of the Makassar Bugis tribe regarding marriage dowries in the romantic and religious comedy genre. This film tells about the phenomenon of the Makassar Bugis tradition which in general is the most important thing in a wedding ceremony, where a man who wants to get married must prepare Uang Panai as a condition for marriage. This research is a qualitative research that makes the film Uang Panai as the object of research and focuses on narrative analysis using observation and documentation data collection techniques. The data source for this research is the entire content of the film Uang Panai' by Halim Gani Safia which was released on August 25 2016 in all Indonesian cinemas with a duration of 119 minutes or 1 hour 59 minutes. The results of the study show that the various scenes and dialogues shown in the film Uang Panai show that the film represents the story of a couple who are about to get married, where the man must collect Uang Panai as a condition for marriage (spending money) to be given to the bride in accordance with the prevailing customs in society. Bugis-Makassar. As for Islamic values in the Uang Panai film where Anca is full of endeavor, exerts all her efforts in fighting for her love for Risna, stands firm and does not complain about all the trials and problems in collecting Uang Panai, and is responsible for all the decisions she makes, proves Taro There is Taro Gau (sticking to what is said). The application of the principles of Islamic communication in the film Uang Panai can be seen in that every problem that arises is resolved by good, gentle, effective and easy to understand communication.Film merupakan media komunikastif dalam penyampaian pesan, karena pesan yang ingin disampaikan divisualisasikan melalui adegan-adegan visual ataupun suara film. Film Uang Panai merupakan film regional yang mengangkat isu kearifan lokal Suku Bugis Makassar mengenai mahar pernikahan bergenre komedi romantis dan religi. Film ini menceritakan tentang fenomena tradisi Bugis Makassar yang  secara umum menjadi hal terpenting di dalam sebuah acara pernikahan, dimana laki laki yang hendak menikah harus mempersiapkan Uang Panai sebagai syarat pernikah. Penelitian ini adalah penelitian kualitatif yang menjadikan film Uang Panai sebagai objek penelitian dan difokuskan pada analisis naratif dengan teknik pengumpulan data observasi dan dokumentasi. Sumber data penelitian ini adalah keseluruhan isi dari film Uang Panai’ karya Halim Gani Safia yang dirilis pada tanggal 25 Agustus 2016 diseluruh bioskop Indonesia dengan durasi 119 menit atau 1 jam 59 menit. Hasil penelitian   menunjukkan berbagai   adegan   dan   dialog   yang ditampilkan dalam film Uang Panai menunjukkan  bahwa  film merepresentasikan kisah pasangan kekasih yang hendak menikah, dimana pihak lelaki harus mengumpulkan Uang Panai sebagai syarat pernikahan (uang belanja) untuk diberikan kepada mempelai wanita sesuai dengan adat yang berlaku dalam masyarakat Bugis-Makassar. Adapun Nilai nilai Islam dalam film Uang Panai dimana Anca penuh dengan Ikhtiar, menggerahkan segala usahanya dalam memperjuangkan cintanya kepada Risna, teguh pendirian serta tidak mengeluh menghadapi segala cobaan dan permasalahan dalam mengumpulkan Uang Panai, dan bertanggung jawab atas segala keputusan yang ia ambil, membuktikan Taro Ada Taro Gau (berpegang teguh pada apa yang dikatakan). Penerapan prinsip prinsip komunikasi Islam dalam film Uang Panai terlihat pada setiap permasalah yang muncul diselesaikan dengan komunikasi yang baik,lemah lembut,efektif, dan mudah dimengerti

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